Thursday, 25 October 2012

Open Your Eyes


Come walk with me,
step your feet next to mine.
I’ll hold your hand:
now just close your eyes.


Come to the door,
you don’t need your shoes
I want you to see
what you didn’t before.

Feel the plush carpet
beneath your feet,
then notice it change
when the doors go ‘ding’.

Listen to the gentle hum
as our weight slowly plummets,
taste the fresh air on your lips,
            linger on it.

The cement is cold;
welcome it.
Feel the heat emanating your body
seep through your feet
and into the earth.

The sound of traffic is deafening;
            so open your ears.
Hear the city sounds colliding –
a traffic jam of noise –
and learn to listen.

The air is bitter;
            find it’s purity.
Taste the sweetness of the breeze,
smell the flowers and the trees,
… breathe.

Come walk with me,
step your feet next to mine.
I’ll hold your hand:
now open your eyes.

I am the woman
on the street next to yours.
I live under the bridge
that you cross every day;
not once have I felt
I am not in your way.

I am not vermin
and I am not slime.
You see just a face,
but I have a name,
            a child.

Everything you see –
            dirt, scum,
            crime, grunge –
this is my appearance,
my outer skin.
I urge you now to look within.

For if you had ever stopped
and asked me my name,
you might have learned
that my right leg is lame.

That I bore three children,
but soon lost two.
Not to yellow fever,
or even the flu.

I lost my home 
trying to save my boys;
trying to save them from
my husband’s horrors.

I threatened to tell
and I threatened to leave,
till one day he made
the decision for me.

He took all our clothes
and our books
and our lives.
Then he piled them up
at the door with his lies.

I stepped through the doorway
to a world where I was free;
free to live happily,
my daughter and me.

But I couldn’t find work,
so we lived in a shelter.
Then soon I was stripped
of being even a mother.

I fought and I tried
to prove I could cope, then
one day my daughter
got caught in a rope - 

a rope that entangled
so much more than her throat –
a rope that strangled
my last piece of hope.

So I dragged my leg here,
to this cement cocoon,
to hide from my life
and return to the womb.

This bridge is my home,
this bench is my bed.
The paint on the walls 
is from an artist who’s dead.

Each day you walk by
and you see nothing more
than a soot-covered, greasy and
drugged-up old whore.

But I am so much more.

I am a woman.
I can read,
            I can write.
I am a woman
and I know how to fight.

I am not vermin
and I am not slime;
I am a woman
in a society that’s blind.

Come walk with me,
step your feet next to mine.
I’ll hold your hand:
just open your eyes.

Thursday, 18 October 2012

Fly Girl

I am a woman;
I am tied
       in gowns,
       in marriage,
       to the ground -
or so I should be.

But I am a fly girl;
I am free to roam
       in time,
       in space,
       the wild blue yonder -
as it should be.

For I am a fly girl;
I have
       strength,
       spirit,
             daring.
I am the wind and the stars.


"Fly Girl", Michelle Casey
http://www.collageyourworld.com/fly.htm
"Fly Girl", Michelle Casey
http://www.collageyourworld.com/fly.htm
"Fly Girl", Michelle Casey
http://www.collageyourworld.com/fly.htm
"Fly Girl", Michelle Casey
http://www.collageyourworld.com/fly.htm
"Fly Girl", Michelle Casey
http://www.collageyourworld.com/fly.htm
"Fly Girl", Michelle Casey
http://www.collageyourworld.com/fly.htm
"Fly Girl", Michelle Casey
http://www.collageyourworld.com/fly.htm
"Fly Girl", Michelle Casey
http://www.collageyourworld.com/fly.htm
"Fly Girl", Michelle Casey
http://www.collageyourworld.com/fly.htm

Still Here?

Tick
       tick
             tick
                   tick
Black and white
and dark and grey,
the world was void;
             bare.

Tick
       tick
             tick
But looking closely,
slowly they came;
hues of colour,
       creeping.

Tick
       tick
Smudged and thick,
it won't erase.
This world is tainted;

                         tock.


"Persistence of Memory", Salvador Dali

Structured Ruins

Gold columns of sand
defy nature, gravity;
human invasion.